Thanks to editor Belinda Subraman for featuring my poem at GAS.
https://gaspoertyartandmusic.blogspot.com/2022/08/gas-featured-poet-lana-hechtman-ayers.html
https://gaspoertyartandmusic.blogspot.com/2022/08/gas-featured-poet-lana-hechtman-ayers.html
Here’s a poem I wrote late spring in the beginning of the pandemic, for my brother, inspired by how one tragedy calls up another.
https://www.journalofexpressivewriting.com/post/what-the-sheltering-do

Can’t believe after umpteen rejections I finally made it into one of dream journals! Thank you, Tim Green. My poem “Twenty Twenty” published on New Year’s Eve 2020:
I’m delighted and honored to have a flash memoir piece up at Bright Flash Literary Review.

Here’s the link in case you’d like to read the piece: https://brightflash1000.com/2020/08/05/i-dont-remember-his-name/?fbclid=IwAR3CL_Hgob6Hyijw1tEsGPoAuwJ_6F-UTzcHxYYZLQOspIh1POwzLQJKS7Y
In this chaotic time of battling racism, illegal and immoral government actions, and the coronavirus pandemic, we hope to defeat them once and for all with as few lives harmed or lost as possible. And yet within the daily of strife of these, I feel my lost loved ones still with me somehow. The memory of their love helps get me through the darker days. This short piece below is about my dad, lost to me on this side of breath nearly three decades ago.
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A Man of Few Words, But Good Ones
Lana Ayers
My father was a man of few words. He never started conversations. He left for work weekdays before I woke. But his absence made a deeper silence in the house than the quiet when he was at home. Back at 5:30 each workday night, he liked to change out of his coveralls uniform with lace-up boots, take a quick shower, and put on casual slacks in black or brown, with a plain tee shirt, his hairy toes wiggling out of the front of his beach-thong slippers.
Then he’d read the newspaper before supper, his cigarette sending untranslatable smoke signals up to the ceiling. Mother told my brother and me not to disturb him. He needed to unwind, but he never seemed like a ball of string to me.
At supper, we kids weren’t allowed to speak except to say pass the ketchup or are there more potatoes? But after our meal was finished, and after I swore I’d gotten all my homework done for the next day, my father was fair game.
Parked in his well-worn striped armchair, the black & white television tuned to a Knicks basketball game or a Cassius Clay boxing bout or to Bonanza, full of big hats and horses, my father sighed heavily and rooted for the good guys. C’mon, you can do it! It was then, without my mother or brother around, I asked him one the thousands of questions that floated around in my head day and night. The kind that drove my kindergarten and early grade teachers to tell me shut up and sit quietly—we’ve had enough out of you. But my father didn’t seem to mind.
“Daddy, why is the grass green?” I’d say.
“Because it sets such a nice backdrop for the yellow dandelions.” He mimed picking a flower and placing it behind his ear.
“Daddy, why do birds sing all the time?”
“Because they want to make Dean Martin jealous,” Daddy said, wiggling his eyebrows like Groucho Marx’s.
“Daddy, why do I have to eat peas? They taste like mush.”
“Peas are a secret weapon against sadness,” Daddy said, leaning over to where I sat at his feet to brush my forehead with his calloused hand. Rough as it was, nothing was ever so tender.
“Daddy, what is God?”
Daddy got up and clicked off the television knob. Back in the striped chair, he patted his thighs. I went to him and he pulled me up into his lap with ease, even though I was a chubby thing. I liked being so close to him I could count the hairs growing in each nostril, like dense, secret forests.
“God is the sky,” Daddy said, one arm hugging my back. “When you see the stars at night, that’s god. And in the daytime, the fluffy white clouds, those are god, too.”
“I thought God was like a person, only giant or something,” I said.
“The great thing about God is that each person can see God the way they want to. I look up at the sky and feel peaceful,” Daddy said.
“Even when it’s raining?”
“Even then. Rain makes everything grow. And quenches thirst.”
“Even when the clouds look like elephants or crazy clowns?” I said.
“Especially then,” Daddy said. “God is always up there for me. And for you, too. Like an upside-down ocean of goodness.”
“So why doesn’t god do anything when everything hurts so much?” I said.
“I know that’s hard to understand, Baby” Daddy said. “The universe is good, but some people in it aren’t always so good. You just have to keep believing in the good, that life can be good, even when things hurt.”
“I don’t know if I can do that, Daddy,” I said, hot tears dripping down my face.
He brushed my cheeks. “Well, until you can believe it for yourself, I’ll believe for you. When you look up at the sky, I’ll be a cloud, or fog, or the clearest blue, or the reddest star, radiating my love for you,” Daddy said. “Just remember to look up.”

My emotions have been all over the place in these last couple of weeks. It’s been so difficult to stay optimistic and motivated. I’m trying to focus as much as possible on blessings. Of which there are so many–clean water, fresh food, my pups and kitties, my husband, family, friends, the beauty of the natural world, the beauty of all the arts, that I am still here. Here’s a poem that I hope you’ll find uplifting.
Lana Hechtman Ayers Threads Threads hang loose from the ties of my too robustly laundered mask. Any day could be my last. This was true even before the coronavirus. But the sky distracts us with its palette of blues, its permanent drift. There’s a Buddhist rift in autonomy now, how probability shifts destiny as if fate was ever more than poetry. The stars are themselves at last, clearer now without excess exhaust. Despite all human losses, summer blooms & blooms, fragrances brighter. My personal regrets grow lighter, float off. Only what I can do this moment matters. Old misgivings scatter like dust motes in a breeze. I remember to breathe deeply, though breath is the way in for this unstoppable death, it’s also the only way to live.

Lana Hechtman Ayers Random Assignment What in nature could dwarf unjust murders by agents of human law? Not the rain that washes the streets of pollen and petal fall spilled blood and the spittle of a black man’s dying breath. Not the sun that pretends bright mood and warmth penetrating that soul of all who bathe in it— full spectrum white light composed of rainbow. Not the breezes that blow across continents and great waters across imaginary divides of greed— breezes joining breath to breath to breath all equal in lightness. Not the mountains that kaleidoscope through green, blue, grey, brown, black, golden, pink in changing light— each peak all races. Not the trees that bless the air with transformative life— trees of every shape, size, description drought tolerant torrent tolerant tolerant. Not the ground itself every shade of brown millions of years of heat and upheaval cooling and hardening and softening in great rains— gouged, relocated, steamrolled, tread upon. Not the clear not sky its firefly stars blinking from vast numbers of eons ago their code of creation embedded in every creature’s DNA on planet earth every one everyone. And none of it nothing of nature dwarfs the violation the violence of one human against another rooted in random assignment of pigment.

Lana Hechtman Ayers The Color of Racism for Z.S. Winters, my nephew drives a snowplow in a small Colorado town as white as the snow he drives into high compressed banks. His skin is the color of hickory bark with the cinnamon glow of youth his brief twenty-three years affords. He’s shy but quick to laugh, and when he does he tilts his chin down, looks up at you with his umber pupils from a doe-eyed angle. When I think of him so far away, commencing his adult life in this America, my heart contracts with ache. Other seasons, he drives the county pick-up, weeds and snips courthouse shrubbery into symmetrical shapes. Justice is not so manicured. My nephew’s skin is the color of dew in midnight moonlight, a jewel on this earth living so far from those who love him. My nephew is a member of the brotherhood of all men, as we all are, with our varying degrees of melanin, but the same number of cytes to make precious brown pigment. & Some of us excel in pigment, my nephew’s skin rich, beautiful, mine less so. Maybe you stood in line behind my nephew at Walmart, you just buying a gallon of milk, his skin the color of polite, said, go on ahead of me. My nephew loves video games and pizza and burritos. Perhaps you know a young man like him, or are the mother of someone much like him, or grandfather of, or teacher. Maybe my nephew has plowed your roadway, or someone like him has, so the streets are safe for you to pass. Maybe he mowed the grass in your neighborhood park so you could lie out on sunny spring & summer days with your picnic and book, or play frisbee with friends, or toss a ball to your dog. My nephew loves dogs. If he’s been working hard, his skin glints as if lacquered with gold and if you’re lucky enough to behold it, my nephew’s contagious smile will lighten your burdens for a while, despite his dark skin. So when you ask me why I’m outraged ask yourself why to white policemen & to white supremacists & to whites who say they don’t see color, my nephew’s skin is the color of fear, the color of hatred, the color of oppression, the color of lynching in broad, bright daylight.

A decade ago on this date, my brother died of a 9-11-related illness. This poem is from a collection about my brother, called The Dead Boy Sings in Heaven. The title comes from all my memories having been altered by knowing how young he'd die, so that even in my childhood memories, I began thinking of my brother as the dead boy. He's in my heart always, but especially now, since he was a first responder. The Dead Boy Cruises for my older brother Alan This may be the happiest moment of my life. I never get to tag along with my brother at nighttime. I’m in the backseat of the dead boy’s hilarious friend Vinnie’s red AMC Pacer, squeezed into the middle hump by his friends Richard (the smart one) and Danny (the cute one). My brother rides shotgun. The windows rolled down, the stars clear, the radio throngs “The Night Chicago Died” all the way up Rockaway Boulevard. Everyone is quiet. All there is is the cruise, and the breeze, and song after song, that make my heart beat likes it’s in my throat. As if to signal a turn, the dead boy extends his arm out the open window. My brother’s hand becomes a sail.
