April 2021 Prompt Me

Welcome to my monthly blog feature, Prompt Me, where I read a new poem I’ve written inspired by a prompt offered by one of you, my wonderful blog followers! And to say thank you for tuning in, I send a special gift to the person whose prompt inspired my poem.

 

Please leave a new prompt for me in the comments. If I use your prompt next month, I’ll send you a special thank you gift.

My lost loved ones are with me ever more now…

In this chaotic time of battling racism, illegal and immoral government actions, and the coronavirus pandemic, we hope to defeat them once and for all with as few lives harmed or lost as possible. And yet within the daily of strife of these, I feel my lost loved ones still with me somehow. The memory of their love helps get me through the darker days. This short piece below is about my dad, lost to me on this side of breath nearly three decades ago.

~ ~ ~

A Man of Few Words, But Good Ones

Lana Ayers

My father was a man of few words. He never started conversations. He left for work weekdays before I woke. But his absence made a deeper silence in the house than the quiet when he was at home. Back at 5:30 each workday night, he liked to change out of his coveralls uniform with lace-up boots, take a quick shower, and put on casual slacks in black or brown, with a plain tee shirt, his hairy toes wiggling out of the front of his beach-thong slippers.

Then he’d read the newspaper before supper, his cigarette sending untranslatable smoke signals up to the ceiling. Mother told my brother and me not to disturb him. He needed to unwind, but he never seemed like a ball of string to me.

At supper, we kids weren’t allowed to speak except to say pass the ketchup or are there more potatoes? But after our meal was finished, and after I swore I’d gotten all my homework done for the next day, my father was fair game.

Parked in his well-worn striped armchair, the black & white television tuned to a Knicks basketball game or a Cassius Clay boxing bout or to Bonanza, full of big hats and horses, my father sighed heavily and rooted for the good guys. C’mon, you can do it! It was then, without my mother or brother around, I asked him one the thousands of questions that floated around in my head day and night. The kind that drove my kindergarten and early grade teachers to tell me shut up and sit quietly—we’ve had enough out of you. But my father didn’t seem to mind.

“Daddy, why is the grass green?” I’d say.

“Because it sets such a nice backdrop for the yellow dandelions.” He mimed picking a flower and placing it behind his ear.

“Daddy, why do birds sing all the time?”

“Because they want to make Dean Martin jealous,” Daddy said, wiggling his eyebrows like Groucho Marx’s.

“Daddy, why do I have to eat peas? They taste like mush.”

“Peas are a secret weapon against sadness,” Daddy said, leaning over to where I sat at his feet to brush my forehead with his calloused hand. Rough as it was, nothing was ever so tender.

“Daddy, what is God?”

Daddy got up and clicked off the television knob. Back in the striped chair, he patted his thighs. I went to him and he pulled me up into his lap with ease, even though I was a chubby thing. I liked being so close to him I could count the hairs growing in each nostril, like dense, secret forests.

“God is the sky,” Daddy said, one arm hugging my back. “When you see the stars at night, that’s god. And in the daytime, the fluffy white clouds, those are god, too.”

“I thought God was like a person, only giant or something,” I said.

“The great thing about God is that each person can see God the way they want to. I look up at the sky and feel peaceful,” Daddy said.

“Even when it’s raining?”

“Even then. Rain makes everything grow. And quenches thirst.”

“Even when the clouds look like elephants or crazy clowns?” I said.

“Especially then,” Daddy said. “God is always up there for me. And for you, too. Like an upside-down ocean of goodness.”

“So why doesn’t god do anything when everything hurts so much?” I said.

“I know that’s hard to understand, Baby” Daddy said. “The universe is good, but some people in it aren’t always so good. You just have to keep believing in the good, that life can be good, even when things hurt.”

“I don’t know if I can do that, Daddy,” I said, hot tears dripping down my face.

He brushed my cheeks. “Well, until you can believe it for yourself, I’ll believe for you. When you look up at the sky, I’ll be a cloud, or fog, or the clearest blue, or the reddest star, radiating my love for you,” Daddy said. “Just remember to look up.”

Threads, a pandemic poem

My emotions have been all over the place in these last couple of weeks. It’s been so difficult to stay optimistic and motivated. I’m trying to focus as much as possible on blessings. Of which there are so many–clean water, fresh food, my pups and kitties, my husband, family, friends, the beauty of the natural world, the beauty of all the arts, that I am still here. Here’s a poem that I hope you’ll find uplifting.

Lana Hechtman Ayers
  
 Threads
  
 Threads hang loose from
 the ties of my too robustly 
 laundered mask.
  
 Any day could be my last.
 This was true even before
 the coronavirus.
  
 But the sky distracts us
 with its palette of blues,
 its permanent drift.
  
 There’s a Buddhist rift
 in autonomy now,
 how probability
  
 shifts destiny as if
 fate was ever 
 more than poetry.
  
 The stars are themselves
 at last, clearer now
 without excess exhaust.
  
 Despite all human losses,
 summer blooms & blooms, 
 fragrances brighter.
  
 My personal regrets grow lighter,
 float off. Only what I can do 
 this moment matters.
  
 Old misgivings scatter 
 like dust motes in a breeze.
 I remember to breathe deeply,
  
 though breath is the way in
 for this unstoppable death,
 it’s also the only way to live. 

Random Assignment

 Lana Hechtman Ayers
  
 Random Assignment
  
 What in nature could dwarf
 unjust murders 
 by agents of human law?
  
 Not the rain 
 that washes the streets 
 of pollen and petal fall
 spilled blood 
 and the spittle
 of a black man’s dying breath.
  
 Not the sun
 that pretends bright mood
 and warmth penetrating 
 that soul of all who bathe in it—
 full spectrum white light
 composed of rainbow.
  
 Not the breezes
 that blow across continents
 and great waters
 across imaginary divides of greed—
 breezes joining breath to breath
 to breath
 all equal in lightness.
  
 Not the mountains
 that kaleidoscope through
 green, blue, grey, brown, black, 
 golden, pink in changing light—
 each peak 
 all races.
  
 Not the trees
 that bless the air with 
 transformative life—
 trees of every shape, size, description
 drought tolerant
 torrent tolerant
 tolerant.
  
 Not the ground itself
 every shade of brown
 millions of years of heat and upheaval
 cooling and hardening 
 and softening in great rains—
 gouged, relocated, steamrolled, 
 tread upon.
  
 Not the clear not sky
 its firefly stars 
 blinking from vast numbers
 of eons ago
 their code of creation embedded
 in every creature’s DNA
 on planet earth
 every one
 everyone.
  
 And none of it
 nothing of nature
 dwarfs the violation
 the violence
 of one human against another
 rooted in 
 random 
 assignment 
 of pigment. 

The Color of Racism

Lana Hechtman Ayers
  
The Color of Racism
             for Z.S.
  
 Winters, 
 my nephew drives a snowplow
 in a small Colorado town
 as white as the snow 
 he drives into high
 compressed banks.
  
 His skin is the color 
 of hickory bark 
 with the cinnamon glow 
 of youth his brief 
 twenty-three years affords.
  
 He’s shy but quick 
 to laugh, and when he does
 he tilts his chin down,
 looks up at you
 with his umber pupils
 from a doe-eyed angle.
  
 When I think of him
 so far away, commencing 
 his adult life in this 
 America,
 my heart contracts 
 with ache.
  
 Other seasons, he drives 
 the county pick-up,
 weeds and snips 
 courthouse shrubbery 
 into symmetrical shapes.
 Justice is not so
 manicured.
  
 My nephew’s skin 
 is the color of dew
 in midnight moonlight,
 a jewel on this earth
 living so far from those
 who love him.
  
 My nephew is a member
 of the brotherhood
 of all men,
 as we all are,
 with our varying
 degrees of melanin,
 but the same number
 of cytes to make
 precious brown pigment.
  
 & Some of us excel
 in pigment, my nephew’s
 skin rich, beautiful, 
 mine less so.

 Maybe you stood in line
 behind my nephew
 at Walmart,
 you just buying a gallon 
 of milk, his skin 
 the color of polite,
 said, go on ahead of me. 
  
 My nephew loves
 video games
 and pizza and burritos.
  
 Perhaps you know 
 a young man like him,
 or are the mother of 
 someone much like him, 
 or grandfather of, or teacher.
  
 Maybe my nephew has plowed
 your roadway, 
 or someone like him has,
 so the streets are safe 
 for you to pass.
  
 Maybe he mowed the grass
 in your neighborhood park
 so you could lie out 
 on sunny spring & summer days
 with your picnic and book,
 or play frisbee with friends,
 or toss a ball to your dog.
  
 My nephew loves dogs.
  
 If he’s been working hard,
 his skin glints
 as if lacquered with gold
 and if you’re lucky enough
 to behold it, my nephew’s
 contagious smile 
 will lighten your burdens
 for a while, 
 despite his dark skin.
  
 So when you ask me why
 I’m outraged 
 ask yourself why
 to white policemen 
 & 
 to white supremacists
 & 
 to whites who say they
 don’t see color,
 my nephew’s skin
 is the color of fear,
 the color of hatred,
 the color of oppression,
 the color of lynching
 in broad, bright daylight.

Remembering my brother…

A decade ago on this date, my brother died of a 9-11-related illness. 
This poem is from a collection about my brother, called 
The Dead Boy Sings in Heaven. 
The title comes from all my memories having been altered by knowing 
how young he'd die, so that even in my childhood memories, 
I began thinking of my brother as the dead boy. 
He's in my heart always, but especially now, 
since he was a first responder.

The Dead Boy Cruises
      for my older brother Alan

This may be the happiest
moment of my life.
I never get to tag along
with my brother at nighttime.

I’m in the backseat
of the dead boy’s
hilarious friend Vinnie’s
red AMC Pacer,
squeezed into the middle hump
by his friends
Richard (the smart one)
and Danny (the cute one).
My brother rides shotgun.

The windows rolled down,
the stars clear,
the radio throngs
“The Night Chicago Died”
all the way up
Rockaway Boulevard.

Everyone is quiet.
All there is
is the cruise,
and the breeze,
and song after song,
that make my heart beat
likes it’s in my throat.

As if to signal a turn,
the dead boy
extends his arm
out the open window.
My brother’s hand becomes
a sail.